Dezhi Pure Feather White Dehua Porcelain Tea Cups
From artist Dezhi’s white porcelain series, Sù Yǔ Bái (“The Pure Feather White”), each cup is crafted entirely by hand using a single-origin, unblended raw clay formula, made from extremely rare, top-grade kaolin clay sourced from Dehua — a county in Fujian Province renowned for its white porcelain.
The name Sù Yǔ Bái (素羽白) reflects the porcelain’s extraordinary qualities: thin as xuan paper, lustrous as congealed cream, and translucent as a lantern’s film. Achieving this level of refinement involves a formidably difficult production process. During firing, the fragile clay bodies shrink and collapse by over 30%. Combined with the unpredictability of handcrafting, fewer than one in ten pieces survive to completion.
Delicate yet resilient, this piece makes a perfect companion for your spring tea table.
From artist Dezhi’s white porcelain series, Sù Yǔ Bái (“The Pure Feather White”), each cup is crafted entirely by hand using a single-origin, unblended raw clay formula, made from extremely rare, top-grade kaolin clay sourced from Dehua — a county in Fujian Province renowned for its white porcelain.
The name Sù Yǔ Bái (素羽白) reflects the porcelain’s extraordinary qualities: thin as xuan paper, lustrous as congealed cream, and translucent as a lantern’s film. Achieving this level of refinement involves a formidably difficult production process. During firing, the fragile clay bodies shrink and collapse by over 30%. Combined with the unpredictability of handcrafting, fewer than one in ten pieces survive to completion.
Delicate yet resilient, this piece makes a perfect companion for your spring tea table.
From artist Dezhi’s white porcelain series, Sù Yǔ Bái (“The Pure Feather White”), each cup is crafted entirely by hand using a single-origin, unblended raw clay formula, made from extremely rare, top-grade kaolin clay sourced from Dehua — a county in Fujian Province renowned for its white porcelain.
The name Sù Yǔ Bái (素羽白) reflects the porcelain’s extraordinary qualities: thin as xuan paper, lustrous as congealed cream, and translucent as a lantern’s film. Achieving this level of refinement involves a formidably difficult production process. During firing, the fragile clay bodies shrink and collapse by over 30%. Combined with the unpredictability of handcrafting, fewer than one in ten pieces survive to completion.
Delicate yet resilient, this piece makes a perfect companion for your spring tea table.
